A while ago, at The Film Conversation, we had our first Twitter Space where we invited everyone to come share with us, what they experience better; seeing a movie at the cinema or streaming on one of the streaming platforms. We had the Twitter Space because it is an interesting topic that we deem necessary for everyone to engage with; especially when it has to do with Ayinla.
Although it is not a cerebral topic which many has accused us at TFC of being about, but it is a fun and interesting topic that entails experiences that are interesting to be shared. Of course, we share different experiences, and while everyone presented convincing arguments as to why they chose one above the other, this is where we at TFC stand.
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Kindly set a reminder for our upcoming Space! https://t.co/6luSItS7hS pic.twitter.com/5PBGVG7hOt
— TheFilmConversation – Nollywood Reviews & Analyses (@TheFilmConvo) June 16, 2022
As a case study, we put the film, Ayinla, in focus. The movie that had been released in the cinemas nationwide last year, recently made its debut on Netflix. It should be clear that there are a lot of movie streaming platforms and we mention this because when we had our Twitter Space, most of the participants were only making reference to Netflix. This is obviously because Netflix is the most used streaming platform by Nigerians, after NetNaija munchers.
For a fair discussion around this topic, Ayinla is the perfect example because one could be able to distinguish between the two feelings of seeing it alone on Netflix or seeing the movie at the cinema as a movie released on both platforms.
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![The premiere of the film, Ayinla, was held on the 13th of June, 2021 [Image Credit: The Wills News Media]](https://thewillnigeria.com/news/wp-content/uploads/2021/06/Ayinla-Creative.jpg)
There’s also the absence of rescinding a scene once it’s gone. When one is unable to get the whole of what is in a scene; that’s the end of that. It is very impossible to ask the operators to please rewind the scene because you were unable to grasp the full content of the scene. One, that you didn’t get a scene does not mean others did not get it. Two, who are you to even request for that? Did you build the cinema?
![Tunde Kelani's film, Ayinla made its debut on May 20, 2022 [Image Credit: Media Rant]](https://i0.wp.com/mediarants.com/wp-content/uploads/2022/05/Media-Rants-banners-2-1.png?fit=1200%2C675&ssl=1)
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![When Ayinla is performing on stage, one could see the audience singing along, lip syncing the lyrics, their heads swaying left and right and throwing them back into nostalgia. [Image Credit: Netflix]](https://occ-0-33-299.1.nflxso.net/dnm/api/v6/X194eJsgWBDE2aQbaNdmCXGUP-Y/AAAABeYJNLEGsw8vW2fVRBNUXvQ2jVHHcklVEAkfRlnY6BX0cmCEJ8dwNX-x1Brx2j_lsT2zhOtNPjp4ZWR-9nSINyV628Vi-Klthr8b.jpg?r=bf6)
For instance, for those who haven’t previously seen or heard about the biography of Ayinla, streaming the movie alone would make them pay attention to details, from accent to mode of dressing to the kind of lifestyle Ayinla lived when he was alive. But there’s this boredom that creeps in while seeing a movie alone. At a scene where comic relief is sprinkled and you start smiling or laughing alone, it could be less funny to you because, well, you know that.
![Kunle Afolayan and Mr. Macaroni in a still from Ayinla [Twitter/MrMacaroni]](https://pbs.twimg.com/media/FTRHCdQX0AIcFo7.jpg:large)