Collision Course Review: Bolanle Austen-Peters’ Dithering Docudrama on the EndSARS Protest
The establishing shot of Collision Course is a synopsis of the infamy…
Obara’M Review: Kayode Kasum, Dare Olaitan, and Nancy Ismie Relapse into Old Habit
Rarely does a critic write about the drudgery of being stuck in…
Dwindle Review: Not a Perfect Thriller but Rises above Being a Mere Entertainer
Like Dwindle, movies about societal issues never seem to be out of…
The Set Up 2 Review: A Film With a Strong Message on Crime, Yet Let Down by Its Own Unrealism
The first few minutes of watching The Set Up 2 clearly give…
The Razz Guy Review: This Film Yearns to Say Something Important But Lacks the Eloquence
Several minutes into The Razz Guy and few of my expectations were…
Lockdown Review: Moses Inwang’s Film is a Subtle Docudrama that Neither Documents Nor Dramatizes Enough
As I was watching Lockdown, it dawned on me that when fiction…
Hey You Review: Timini-Efe Starrer is a Quirky cum Entertaining Take on Love, Lust and Prejudice
Before ‘Hey You’, Timini Egbuson’s last theatrical release was Dr Sid’s ‘Order…
Yahoo+ Review: Ebuka Njoku’s Film Subtly Demystifies Ritual Killing
Chinua Achebe is responsible for the glossary of Igbo words I recognize.…
Ile Owo (House of Money) Review: Here is Dare Olaitan’s Rethread of a Suppressed Passion
Here's a social perception. It says economists are prudent humans. In colloquial…
The Order of Things Review: Dr Sid’s Directorial Debut is a Clumsy Tale of Love and Sacrifice in No Particular Order
The Order of Things is Dr. Sid's directorial debut. As a fan,…