Strangers Review: Lateef Adedimeji isn’t the Star of Strangers, It’s Daniel Bogumbe
When I last watched Lateef Adedimeji(The Griot), he was playing the role…
Dark October Review: Linda Ikeji’s Filmmaking Debut Revisit the Site of a National Tragedy
Art in all its various forms could become a portal for revisiting…
Disconnect: The Wedding Planner Review : An Ambitious But Dented Pan– African Partnership
Netflix provides an interesting synopsis. It's a “feel–good rom-com. A man struggles…
Far From Home Review: Netflix and Nollywood’s Coming of Age Film is Really Far from Home
Ajegunle, where I stay, and Isale Eko, where Ishaya, the lead of…
U-Turn Review: A Workable Journey Hampered By Chronic Detours
For the years I have had the prime consciousness of understanding the…
Aki and PawPaw Review: Again, Play Network Fumbles a Good Chance to Maximize Nostalgia
The human mind is prone to amnesia. Names and memories, without paying…
Brotherhood Review: There is No Pretense in Jade Osiberu’s Film
The closer-to-reality gunshots and incredible stunts aside, Jade Osiberu's casting and her…
Collision Course Review: Bolanle Austen-Peters’ Dithering Docudrama on the EndSARS Protest
The establishing shot of Collision Course is a synopsis of the infamy…
Obara’M Review: Kayode Kasum, Dare Olaitan, and Nancy Ismie Relapse into Old Habit
Rarely does a critic write about the drudgery of being stuck in…
The Razz Guy Review: This Film Yearns to Say Something Important But Lacks the Eloquence
Several minutes into The Razz Guy and few of my expectations were…
