‘Disconnect: The Wedding Planner’ Review : An Ambitious But Dented Pan– African Partnership
Netflix provides an interesting synopsis. It's a “feel–good rom-com. A man struggles…
Movie Review: Far From Home is ‘Far from Home’ as Nollywood Debut Young-Adult Series
Ajegunle, where I stay, and Isale Eko, where Ishaya, the lead of…
Movie Review: U-Turn: A Workable Journey Hampered By Chronic Detours
For the years I have had the prime consciousness of understanding the…
Aki and PawPaw Review: Again, Play Network Fumbles a Good Chance to Maximize Nostalgia
The human mind is prone to amnesia. Names and memories, without paying…
Brotherhood Review: There is No Pretense in Jade Osiberu’s Film
The closer-to-reality gunshots and incredible stunts aside, Jade Osiberu's casting and her…
Collision Course Review: Bolanle Austen-Peters’ Dithering Docudrama on the EndSARS Protest
The establishing shot of Collision Course is a synopsis of the infamy…
Obara’M Review: Kayode Kasum, Dare Olaitan, and Nancy Ismie Relapse into Old Habit
Rarely does a critic write about the drudgery of being stuck in…
The Razz Guy Review: This Film Yearns to Say Something Important But Lacks the Eloquence
Several minutes into The Razz Guy and few of my expectations were…
Biyi Bandele; A Creative Enigma in Life, An Artsy Legend in Death [TFC Tribute]
Let me begin with a list of clichés. Biyi Bandele, born on…
Lockdown Review: Moses Inwang’s Film is a Subtle Docudrama that Neither Documents Nor Dramatizes Enough
As I was watching Lockdown, it dawned on me that when fiction…
