Shanty Town Review: Netflix’s Depiction of Lagos’ Underbelly is Bland, Shoddy and Soulless
But for its rich use of an eclectic mix of languages, its…
Our President’s Money Review: Gesh Salvador’s Film is a Gimmicky Cacophony of Graceless Theatrics
The film offers you an unadulterated mimicry of its thematic backdrop, a…
TFC Chat: Wasn’t Speaking to Anyone While Shooting at the Rehab – Genoveva Umeh
Genoveva Umeh played the role of Timeyin in the Netflix series, 'Blood…
Passport Review: Prim vs Ghetto Served as Old Wine, in Old Bottle yet Thrilling Taste
Comedy dramas like Passport are not new to Nollywood. In fact, many…
Hey You Review: Timini-Efe Starrer is a Quirky cum Entertaining Take on Love, Lust and Prejudice
Before ‘Hey You’, Timini Egbuson’s last theatrical release was Dr Sid’s ‘Order…
TFC Chat: Criticism on Nude Scenes Don’t Bother Me; I’m Just a Storyteller – Kenneth Gyang
Kenneth Gyang co-directed the Ebonylife-produced Netflix series, Blood Sisters. The series has…
Glamour Girls Review: The Allure of Glitz, the Guilt of Paid Sex and the Agony of a Withheld Climax
The opening scene of Play Network Studios’ new film, Glamour Girls is…
TFC Editor’s Opinion: The Unharnessed Potential of Nollywood as a Soft Power for the Nigerian State
Soft power, a term popularized by the American scholar, Joseph Nye, in…
Kannywood: Censorship, Religious Resistance and the Battle for the Soul of Cinema in Northern Nigeria
Since the industrialization of filmmaking in Northern Nigeria in the 90s, Kannywood,…
The Order of Things Review: Dr Sid’s Directorial Debut is a Clumsy Tale of Love and Sacrifice in No Particular Order
The Order of Things is Dr. Sid's directorial debut. As a fan,…
