Strangers Review: Lateef Adedimeji isn’t the Star of Strangers, It’s Daniel Bogumbe
When I last watched Lateef Adedimeji(The Griot), he was playing the role…
StandUp Review: Crass acting and stauntered humour restrains a necessary treatise into Nigeria’s comic industry
Comedy has always been an integral part of filmmaking in Nigeria, especially…
Our President’s Money Review: Gesh Salvador’s Film is a Gimmicky Cacophony of Graceless Theatrics
The film offers you an unadulterated mimicry of its thematic backdrop, a…
Soole Review: Kayode Kasum Flexes Pure Artistry in this Risky Ride
Soole is delightful to watch, and it is a raw testament to…
Wedding in Nigeria Review: Admirable Premise, Hampered by Inane Humour, Crass Acting and Woeful Execution
Wedding in Nigeria has a commendable premise and would have made its…
Aki and PawPaw Review: Again, Play Network Fumbles a Good Chance to Maximize Nostalgia
The human mind is prone to amnesia. Names and memories, without paying…
Brotherhood Review: There is No Pretense in Jade Osiberu’s Film
The closer-to-reality gunshots and incredible stunts aside, Jade Osiberu's casting and her…
Inside Life Review: Deft Exploration of all Things Wrong with Nigeria’s Justice System
Tope Adebayo-Salami's new film, Inside Life, joins the league of Nollywood's attempt…
Symphony Review: Beautiful Musical Film Denied Impact by Its Rushed Climax
Symphony is a wonderful and very much delightful Pan-African musical drama about…
Passport Review: Prim vs Ghetto Served as Old Wine, in Old Bottle yet Thrilling Taste
Comedy dramas like Passport are not new to Nollywood. In fact, many…