Dark October Review: Linda Ikeji’s Filmmaking Debut Revisit the Site of a National Tragedy
Art in all its various forms could become a portal for revisiting…
Shanty Town Review: Netflix’s Depiction of Lagos’ Underbelly is Bland, Shoddy and Soulless
But for its rich use of an eclectic mix of languages, its…
The Wait Review: This Film Offers Hope for Faith Movies in Nigeria
In recent times, faith has not been a popular theme explored in…
Disconnect: The Wedding Planner Review : An Ambitious But Dented Pan– African Partnership
Netflix provides an interesting synopsis. It's a “feel–good rom-com. A man struggles…
U-Turn Review: A Workable Journey Hampered By Chronic Detours
For the years I have had the prime consciousness of understanding the…
Elesin Oba: The King’s Horseman Review: Biyi Bandele’s Last Testament Shines, Amidst Its Crux of Traditions and Colonialism
Eleshin Oba: The King's Horseman is an apt examination on the dynamics…
Anikulapo Review: Epic Treatise on the Grey Variations of Deeply Connected Human Interactions
Before getting to the review the film, Anikulapo, may I start by…
Rise Review: A Realistic Portrayal of Family, Sacrifice and Immigration
The Nigerian dream of hitting it big, and the search for greener…
Glamour Girls Review: The Allure of Glitz, the Guilt of Paid Sex and the Agony of a Withheld Climax
The opening scene of Play Network Studios’ new film, Glamour Girls is…
Blood Sister Review: An Exciting Hybrid of Themes; Family Drama, Romance, Politics even Patriotism
A noteworthy feature runs through the first few scenes of Blood Sisters.…