Ile Owo (House of Money) Review: Here is Dare Olaitan’s Rethread of a Suppressed Passion
Here's a social perception. It says economists are prudent humans. In colloquial…
Glamour Girls Review: The Allure of Glitz, the Guilt of Paid Sex and the Agony of a Withheld Climax
The opening scene of Play Network Studios’ new film, Glamour Girls is…
Mighty Review: RED TV Just Showed Us a Perfect Example of What a Nollywood Short Film Should Not Be
The release of the Tobi Karunwi-directed short film, Mighty, streaming on the…
The Order of Things Review: Dr Sid’s Directorial Debut is a Clumsy Tale of Love and Sacrifice in No Particular Order
The Order of Things is Dr. Sid's directorial debut. As a fan,…
Blood Sister Review: An Exciting Hybrid of Themes; Family Drama, Romance, Politics even Patriotism
A noteworthy feature runs through the first few scenes of Blood Sisters.…
Blood Sisters Review: A Brilliant Peep into the Dynamics of Bond, Rivalry and Violence
In filmmaking, every director aims to create a motion picture that hooks…
The Man for the Job Review: A Thrilling Ride into the Complexity of Trust, Hope and Survival
‘The Man For The Job’, written and directed by Niyi Akinmolayan, is…
Agesinkole Review: Femi Adebayo’s Rousing Epic Drama Will Charm You into Its World
Agesinkole: King of Thieves, Femi Adebayo’s current magnum opus could really have…
Sanitation Day Review: This Whodunnit-turned-Heist Collapses Under the Weight of its Own Complicated Inanities
Seyi Babatope’s ‘Sanitation Day’ did not achieve many things the Director had…
Omo Ghetto: The Saga Review: Apt Depiction of Shanty Gangsterism with a Sprinkle of Emotions
Funke Akindele’s ‘Omo Ghetto: The Saga’ isn’t what it has been marketed…